
It gives the viewer a sense that they may be seeing someone at their most vulnerable–as readers witness Jude throughout the book. Yanagihara fought to use the photo on the cover because of the ambiguity of whether the man is in pleasure or pain.
#A little life barnes and noble series#
The cover photo is from a series of photos taken in the 1960s by Peter Hujar. And this is the story of one of those lives.” (7) 11. “…the title is meant to shape-shift as the reader moves deeper into the shadow of this book, and it’s indeed alluded to in different ways, but really, I meant it literally: We have such small lives, all of us.

“Part of this book is an homage to the way my friends and I live: lives without children, without marriage, lives you rarely see depicted in popular art, unless as a punch line or a tragedy, lives not considered by many to be full, legitimate adulthood.” (5) 10. The Homage to Child-Free, Unmarried Lives The book has also inspired fans to create art, clothing, and other items–here are a few of ours:ĩ.

She explains more about the origin of the Instagram account in this article. She was involved with creating the tote bags and t-shirts featured throughout the feed. Yanagihara is not on Twitter, but she does have an Instagram feed dedicated to A Little Life. But friendship is the one relationship available to us in which the laws and limits are defined only by the participants.” (4) 8. “When you are a spouse, a parent, an employee, a citizen, you live by certain rules, some of them dictated by law, others by social expectations. Yanagihara also wanted to explore the unique freedoms that friendship affords to define it in the way that works for the people in the relationship. This is in part a push-back against the redemption and happiness-seeking stories that are prevalent in western culture. One of her goals in writing A Little Life was to explore the story of someone who never gets better, who experiences trauma that they can never come back from. “…a study of their normalcy, a foil to the strangeness of Jude’s own life.” (6) 6. This was deliberate Yanagihara wanted to create a point of comparison between the three other men and Jude: One of the striking things about the novel is how little of the focus is on Jude in the first part, and he ultimately becomes the central character. “I wanted there to be something too much about the violence in the book, but I also wanted there to be an exaggeration of everything, an exaggeration of love, of empathy, of pity, of horror.” (2) 5. Her editor asked her to tone down the graphic descriptions of the brutal abuses in the book, but she refused. This Vulture article by Yanagihara includes several of the photos and describes what they brought to her writing. Yanagihara based the story on about 20 photos she had collected–on Pinterest. There should be a sort of out-of-time, out-of-place quality that echoes Jude’s childhood in the motel rooms, a sense that the world and its events have no effect, good or ill, on the relentlessness of your daily, present-tense experience.” 3. “You are in Jude’s world, with Jude, and there’s no escaping it. This eternal present day affects the reader’s experience of the book. This puts the characters in an “eternal present day.” 2. The Eternal Present DayĮvents, public figures, and even specific places that would place the characters in a particular time are never mentioned in the novel. but if you haven’t read the book and don’t want to be spoiled, you may not want to read the rest of this post. Note: There are some spoilers below–mostly about the overall arc of Jude’s story, rather than specific events. 15 Things You May Not Have Known About A Little Life If you have not read A Little Life, I highly, highly recommend picking it up–after preparing yourself for an emotional, upsetting read that will stay with you forever.
